From December 5th to 7th, 2025, the regal Jayamahal Palace in Bangalore became the grand epicenter of art, creativity, and cultural exchange. It hosted the third edition of The Haat of Art. Over three inspiring days, the event welcomed more than 8,500 visitors, featured over 200 exhibitors, and saw an impressive number of artworks sold. This success underscores the growing enthusiasm for artistic expression and creative dialogue across India.
More than just an exhibition, the Bangalore edition of The Haat of Art acted as a grand platform for connection. In particular, it brought together artists, collectors, curators, students, and art lovers under one roof. Together, they shared in a collective celebration of creativity and community.
A Diverse and Grand Display at The Haat of Art
This year’s edition showcased a wide range of artistic expressions. With over 200 exhibitors, The Haat of Art featured paintings, sculptures, mixed media installations, photography, textiles, and contemporary art forms. Each piece told a unique story, reflecting the individual journeys of the artists. Some works were rooted in tradition, while others embraced modern innovation.
Emerging talents stood shoulder to shoulder with established creators, thereby fostering an environment that was both inclusive and richly diverse in artistic voice. Moreover, visitors—from seasoned collectors to curious first-timers—explored and purchased original works. As a result, The Haat of Art was both culturally and commercially impactful.
Where Prestige Meets Grand Creative Purpose at The Haat of Art
Adding to the prestige of The Haat of Art 2025 were several distinguished guests whose presence highlighted the importance of supporting artistic talent. Notable attendees included Rakesh Bedi, acclaimed actor; Dr. Justice K. Manmadha Rao, Karnataka High Court; Eshwar Khandre, Forest Minister of Karnataka; Suraj Hegde, Secretary of AICC; and S.E. Sudheendra, Chairman of the Karnataka State Bioenergy Development Board and many more.
Furthermore, their participation highlighted the growing recognition of art’s value across different sectors of society. It also reinforced The Haat of Art’s mission to bridge creative voices with larger communities.
Interactive and Immersive Grand Experiences at The Haat of Art
What set The Haat of Art apart was not just the breadth of artworks but also the grand interactive and immersive format. Artists were present onsite, sharing insights into their creative processes and stories. Visitors participated in hands-on sessions, exploring brushwork, discussing techniques, and even creating their own paintings.
These experiences transformed passive viewing into a shared celebration of creativity, making art more relatable and fostering meaningful dialogue between creators and audiences.
Empowering Artists and Inspiring Audiences at The Haat of Art
The Haat of Art delivered tangible benefits for artists. Many reported successful sales, enhanced visibility, and new connections with buyers, galleries, and potential collaborators. Emerging talents gained exposure and encouragement, while collectors and enthusiasts discovered fresh voices and invested directly in original works, supporting India’s creative ecosystem.
Looking Forward: The Grand Spirit of The Haat of Art Continues
As the curtains came down on The Haat of Art 2025, Jayamahal Palace had already witnessed countless moments of inspiration, connection, and celebration. The event highlighted the talents of India’s diverse artistic community and reaffirmed art’s power to unite people across backgrounds and interests.
Following its successful editions in Mumbai and Delhi, The Haat of Art’s Bengaluru chapter lived up to its promise—creating a space where creativity thrives, artists feel supported, and visitors leave inspired. With each edition, The Haat of Art continues to strengthen its role as one of India’s most grand and meaningful cultural and artistic gatherings.
