The fourth edition of The Haat of Art 2025 brought new energy to Delhi from July 25 to 27, transforming Pragati Maidan into a vibrant hub of creativity and cultural exchange. Over 6,000+ visitors attended in just two days, with more than 200 artists showcasing their work. This made the event one of India’s most inclusive and diverse art platforms of the year.
A Platform for Every Artist
The Haat of Art stands out for its dedication to inclusion. This year’s edition featured a powerful mix of established professionals, young talents, rural artisans, specially-abled creators, and folk art practitioners—exhibiting side by side.
Attendees explored a wide variety of artwork, from paintings and sculptures to digital art and installations. Live demonstrations, interactive workshops, and open discussions brought audiences closer to the creative process. This wasn’t just an exhibition; it was a space for genuine cultural dialogue.
Curated with Vision
Acclaimed actor Vindu Dara Singh, serves as the Mentor and Curator of The Haat of Art. His guidance has helped shape the inclusive spirit that defines The Haat of Art.
The platform was conceptualized and led by Jyoti Yadav, Founder of The Haat of Art and Director of Exhobuzz Pvt. Ltd. Her vision aims to connect grassroots talent with national audiences. Under her leadership, the event has grown into a powerful movement for creative inclusion across India.
Cultural Icons and Esteemed Guests
A star-studded lineup of guests added inspiration and visibility to the event. Shehzad Poonawalla, National Spokesperson of the BJP, praised the platform’s inclusive approach. Actor Ravi Kishan interacted with artists and audiences, adding warmth and star presence.
Also present were BJP spokespeople Sidharth Yadav and Shivam Tyagi, who spoke about the vital role of art in social development. Neetu Kumari Navgeet, a renowned folk singer, celebrated India’s musical roots through a soulful performance. Alok Kumar Suman, Member of the Lok Sabha and a senior leader from Janata Dal (United), graced with his presence.
Shri Brijmohan Shrivastava Ji, General Secretary of NCP, praised the event. He highlighted its positive impact at the grassroots level. Likewise, Padma Shri awardee Baua Devi, an iconic Madhubani artist, symbolized the strength and heritage of Indian folk art through her presence. Additionally, cultural promoter Sanjay Kumar Jha extended his support to the event, reinforcing its mission to elevate India’s creative talent on both national and global platforms.
Furthermore, Shri Jyotiraditya M. Scindia, Union Minister of Communications and Minister of Development of North Eastern Region, lent his stature to the occasion, emphasizing the crucial role of cultural platforms in shaping India’s broader development narrative. Lastly, Shri Ram Nath Thakur, Member of Parliament (Rajya Sabha), graced the Delhi edition and expressed his deep appreciation for the exhibition’s inclusive outreach and its support for grassroots artistic communities.
Where Art Meets Commerce and Conversation
The Haat of Art 2025 also served as a dynamic marketplace. Art collectors and buyers engaged directly with artists, resulting in the sale of numerous works. This reflects growing public interest in investing in both contemporary and traditional Indian art.
The event featured panel discussions, artist talks, and knowledge-sharing sessions. Topics included sustainable practices, digital innovation, and the importance of regional voices in India’s creative future.
During candid conversations at the event, several artists shared heartfelt reflections on their experience.
“The Haat of Art gave me wings—this platform connects artists coming from rural backgrounds to a national audience”
— Seema Alawa, artist from Madhya Pradesh.“Each nail I hammer into wood is a step toward recognition. This platform celebrates the hands behind the art”
— S. Hashmi, metal nail-portrait artist from Indore.“This platform reminds the world that folk art is not behind—it leads with its soul.”
— Baua Devi, Padma Shri awardee and renowned Madhubani artist, whose works have represented Indian heritage at national and international platforms for decades.
Many more artists described the Delhi edition of The Haat of Art 2025 as a “wonderful experience,” appreciating the exposure, interaction, and respect they received. For many, it was not just a place to exhibit, but a place to belong.
Lasting Impact and Growing Legacy
At its core, The Haat of Art is more than just an event—it’s a cultural movement. It gives real opportunities to artists often overlooked by mainstream platforms and helps audiences connect with the stories behind the art.
This year’s edition set new standards for participation, media presence, and public response. With every edition, The Haat of Art grows stronger in building a more inclusive and truly Indian art ecosystem.
As the Delhi chapter concludes, one thing is clear: The Haat of Art 2025 is not just an exhibition. It’s changing how India sees and celebrates its art.
